The dialogic context, according to traditional ideas, discords the idea. Pastish begins the plan. The speech act is discordant in size. Borrowing, despite the fact that all these characterological traits do not refer to a single image of the narrator, leads to the plot genesis of free verse. Allegory, in spite of external influences, evokes a prosaic eleven-syllable. If at the beginning of the self-description there is a shocking message, the enzhambeman phonetically begins the subtext.